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@@malthus101 yes

@@FosterMedia cool thanks

@@hermannmaier yeah I'm still in search of one.

@@trailtocamp there are two more modes. Rgbct let's you control each colour diopse independently and fx is 'effects' mode for police red/blue, lightning, broken light bulb etc.

@@FosterMedia 🤜🏻🤛🏻 Thank you so much.🙏🏻🙏🏻 So HSI ? I've actually got on and ordered the directional light box shade that you showed. Can't wait to receive that and try it out. Thought is would be great to use to light up a face with the special effects 'flame', to make it more realistic sat by a small fire. Many thanks. It's like most things in life, you more than often need a little help from those that know how .

@@trailtocamp glad to be of assistance mate. Any time, just ask. Hsi is the 360 gedree colour wheel style Mode, so one dial will do brightness and the other will do saturation and hue. Hsi means Hue, Saturation, Intensity. 👍

@@FosterMedia 🙏🏻🤜🏻🤛🏻 brilliant, got it now. Thank you so much for taking the time to help. 🤝🏻

@@monociclo correct, no speedbooster. I did just buy one though, the viltrox, used. It should arrive Saturday, I'll do some comparison shots. 😀

@@MottoMojo yeah but then the camera recording wouldn't see anything. Anyway, don't worry about dust.

@@FosterMedia Good video by the way. keep up the good work bro

ikr..

@@AmateurPhotographer12 didn't think to much about it, wanted the camera to see the sensor.

@@FosterMedia yeah that’s fine!

@@AmateurPhotographer12 it's usually how I do it to be fair, I wana see if there is anything on the sensor. I was really conscious of this year's ago wjth my old canon dlsrs, but now I don't worry too much, I always shoot wide open, rarely more than f5.60and even then sensor dust isn't a problem. I only use the rocket blower for lenses usually.

@@FosterMedia ah okay it’s your camera so you can do anything you want with it.

@@stwostudio oh cool, yeah I don't know the history of this lens. But I like it. Thanks for watching 👍👍

@@SupaKlown no idea what you're on about

@@tripesalavanille2347 glad I could help 👍

It's a bit small for a key light

Thanks so much, im glad it was useful for you. These mics are still my daily drivers, I absolutely love them, never once had any kinda issue and they are always charged as they live in the chragebox.

Thankyou.

I think this was filmed on my old one, just some cheap generic shit, was lose Af. Now I have a K&F, with the orange ring, and it's really nice. The lens itself was CY but I hard converted to ef by simply gluing a ef adapter on it. 🤓

Yes you can. It's the same thread 67/0.75

@@FosterMedia This applies for the True one? As you said it’s 72mm on the front

@@fabianbertel9424 sorry yes, that was wrong what I typed last time. The true colour defo has a bigger thread, I tried to screw on a mist filter yesterday and it didn't work. I'll confirm all info tonight. Just need to find a few mins time 😀

@@FosterMedia The correct order to stack filters would be First ND and on top a Black Mist? Thank you!

@@fabianbertel9424 why? Genuinely interested. I've always put mist first

I'll see if I can get round to making a separate video like that. Maybe a new subscriber would encourage me 😉

@@FosterMedia I'm eyeing the NISI true color filters as best right now, but Kolari is a close competitor. I have the k2 freewell but they are too big and bulky

Did you watch the video because it clearly shows there is no loss in quality

Noise will be more. But for outdoor or indoor with spot light. It is not a problem at all. Fx30 with pz lens and image zoom is absolutely fantasy ​@@FosterMedia

@@chrisliang9394 why more noise? The pixels are the same size. It's just not downsampled form 6k

@@FosterMedia Pixel size has minimal affect. What matters is the total amount of light captured (area of the sensor used to generate the image). Light is made of photons, imaging they are like skittles. Makes no real difference if you collect them in 12 square cups next to each other or 24 Smaller cups as long as they fill the same total square area when its raining skittles. Now you are asked to cover a white canvas with all the blue skittles you collected. If you have less skittles you're going to have to place them further apart to cover the canvas. The gaps you now have are the noise. Do you're test again in low light you're start to see noise. You're see roughly the same amount of noise and background blur using a zoom lens with an aperture 50% smaller if you clear zoom 1.5x so a 200mm F2.8 would behave like a 300 F4

Yes it's got a thread.

82 is typically the biggest size one ever needs. People by this and use step-down rings/adapters (very cheap) so they can use the filter on every lens. Depending on your system or gear you may want to buy the filter size for your biggest lens diameter or you can't use it with all your lenses.

Exactly for the reason mentioned by Lighthunter I also have a set at 67mm for everything 67 and smaller. I use 82 for everything between 67 and 82. Hope this helps.

Yes sorry. Good point. Next time 🙏

Thanks. So it doesn't get hot, It gets mildly warm, but you can always tough it with fingers. So fine for acrylic.

You're welcome. Glad it helped 👍

Yeah my office is in a loft, nowhere to put furniture, etc to help with reverb. I have since put alot of ugly sound foam on some of the ceiling to combat this. With a flat ceiling it's easy.

@@FosterMedia try making boxes with isolation for facade. Works like a charm...

@@DiceDragondnd I know. I've built them before. I just don't have the room, like I said, it's recorded in a loft/dach/attic

@@FosterMedia sound blankets then...Hardware store is cheaper option, they are called "moving blankets". Or move mic closer to you, with mic arm or something.

@@DiceDragondnd check out the newer videos, they're fare better now. This was 4 years ago or something

I think so, I'm almost certain. But I don't use that kinda functionality.

@@FosterMedia thanks 🙏🏻

It was Slog3. I shoot exclusively log, on all my cameras.

Thankyou. 55mm, but I step up to 58 as that's a more common size, for older lenses anyway.

Ah sorry it was a month late for you, I actually made a small tiktok review about a month ago also. Yeah it's a decent filter, I checked the price as is now 58 euros for the 67mm. Very good filter for the price. I'm not into spending 300 euros in a filter, my clients won't even notice. And as you said the smallest effort in resolve and it's corrected perfectly. Thanks for watching mate 👍

Thank for watching 😊